Download PDF by Melissa J. Homestead: American Women Authors and Literary Property, 1822-1869

By Melissa J. Homestead

ISBN-10: 051134533X

ISBN-13: 9780511345333

ISBN-10: 0521853826

ISBN-13: 9780521853828

Via an exploration of girls authors'engagements with copyright and married girls estate legislation, American ladies authors and Literary estate, 1822-1869, revises nineteenth-century American literary historical past, making women's authorship and copyright legislation relevant. utilizing case reports of 5 well known fiction writers Catharine Sedgwick, Harriet Beecher Stowe, Fanny Fern, Augusta Evans, and Mary Virginia Terhunee, domicile indicates how the convergence of copyright and coverture either fostered and restricted white women's organisation as authors. girls authors exploited their prestige as nonproprietary topics to virtue through adapting themselves to a copyright legislations that privileged readers entry to literature over authors estate rights. Homesteads' inclusion of the Confederacy during this paintings sheds gentle at the centrality of copyright to nineteenth-century American nationalisms and at the strikingly diversified building of author-reader kin lower than U.S. and accomplice copyright legislation.

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S. culture by producing a new literary property, her hugely successful novel St. Elmo. My reconstruction of Evans’s activities during the 1860s reveals that Evans was a canny player in the literary field, who understood and exploited the possibilities of shifting national narratives shaped by copyright law. S. copyright law and the gendered and racialized implications of its proprietary logic. In Chapters 3, 4, and 5, the legal status of married women recurs as a shaping force in each woman’s engagements with literary property.

Federalism would have only complicated an already complex situation. ”32 The Constitution reserved the power to grant copyrights for published works exclusively to the federal government. The common law, however, which varied from state to state, granted a limited form of protection to unpublished works; and married women’s property laws, both common law and statutory, also varied from state to state. In 1841, several years before statutory reform of coverture by individual states began in earnest, health reformer and author Mary Gove (later, Mary Gove Nichols) was forced to confront the opaque tangle of the federal statutory law of copyright, the common law of copyright in unpublished works, and the state common law of coverture when she sought to publish her first book, a compilation of her lectures on women’s anatomy and physiology.

The trope of the (white) wife as slave has a long and contested history, and the accuracy of the underlying analogy continues to be the subject of scholarly debate. As Karen S´anchez-Eppler rightly observes, even when abolitionist feminists expressed their sympathy with slaves, their claims of a common experience of dispossession and abuse at the hands of white men 4 The intersection of patent law and coverture represents a striking contrast, with feminist reformers specifically calling for reform and married women’s patent proprietorship made the subject of special legislation in several states.

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American Women Authors and Literary Property, 1822-1869 by Melissa J. Homestead

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