By Amy K. Levin
Africanism and Authenticity strains the ongoing effect of West African women's traditions and societies on late-twentieth-century literature through African-American girls. the 1st half the booklet makes a speciality of how those affects permeate either topic and imagery in novels by means of Toni Morrison, Alice Walker, Jamaica Kincaid, and Gloria Naylor. the second one part specializes in fresh neo-slave narratives as works that sprang from the African adventure instead of works that in simple terms parallel the unique slave narratives. Levin is among the first writers to debate Toni Morrison's Paradise and Gloria Naylor's males of Brewster position. Amy Levin's research is the 1st to concentration so explicitly at the value of West African women's traditions in modern writing by means of African-American ladies. Levin demanding situations feminist reports of those writings by means of revealing the level to which these reports stay Eurocentric, while they query Afrocentric readings that draw merely on African male traditions as though they have been similar to women's practices. In addressing those concerns, Africanism and Authenticity is helping to refine the present dialogue of literary authenticity and files a particular culture that
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Additional resources for Africanism and Authenticity in African-American Women's Novels
This is the only place for us men to get together, to look into each other’s eyes and see what we need to see—that we do more than just exist—we thrive and are alive” (167).
For instance, she inserts Africanisms as subtle markers of the continuing presence of an authentic, subversive black culture within the white slavocracy. She uses narrative discontinuities to indicate the weakening of the plantation system and the passivity of white women. In this way, Margaret Walker revises the story of her forebears, rendering it distinctively black, female, and African, as well as American. The concern with authority and appropriation finds expression in different ways in Morrison’s Beloved and Cooper’s Family.
George underestimates Mama Day, believing he is “reasonable in expecting wrinkles, sagging skin, some trembling of the limbs” (175), and offending her pride. After Miranda leads him on an exhausting walk through the woods, though, he begins to respect her strength. She in turn is convinced 38 Africanism and Authenticity of his limitations, which she treats somewhat humorously. But George threatens the matriarchy in another way as well. During the first half of the novel, Naylor stresses that George and Cocoa’s relationship is based on a struggle for power, and by the time the two reach Willow Springs, this battle is being played out in George’s desire to have a child.
Africanism and Authenticity in African-American Women's Novels by Amy K. Levin