Download e-book for iPad: Affective Narratology. The Emotional Structure of Stories by Patrick Colm Hogan

By Patrick Colm Hogan

ISBN-10: 0803230028

ISBN-13: 9780803230026

Stories interact our feelings. We’ve recognized this no less than because the days of Plato and Aristotle. What this publication is helping us to appreciate now's how our personal feelings essentially manage and orient tales. In gentle of contemporary cognitive learn and huge studying in numerous narrative traditions, Patrick Colm Hogan argues that the constitution of reports is a scientific fabricated from human emotion platforms. studying the ways that incidents, occasions, episodes, plots, and genres are a functionality of emotional methods, he demonstrates that emotion platforms are totally an important for realizing tales.

Hogan additionally makes a case for the possibly necessary position that tales play within the improvement of our emotional lives. He presents an in-depth account of the functionality of emotion inside of story—in common genres with romantic, heroic, and sacrificial buildings, and extra restricted genres treating parent/child separation, sexual pursuit, illegal activity, and revenge—as those look in a number of cross-cultural traditions. throughout the publication Hogan develops interpretations of works starting from Tolstoy’s Anna Karenina to African oral epics, from Sanskrit comedy to Shakespearean tragedy.

Integrating the most recent learn in affective technology with narratology, this e-book presents a robust explanatory account of narrative association.

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Jean-Paul Sartre refers to this experience as nothingness. Stiva’s location is not only a matter of where he is, but equally of where he is not. My first contention here is that spatiality, the “existential” experience of location, is fundamentally an emotional experience. As my character29 ization of Stiva’s place already suggests, nothingness—the judgment of where one is not but should be or should have been—is first of all a function of what one feels about locations. In this case, there are two aspects to the feeling.

Events themselves compose episodes. An “episode” in this sense is a series of events that begins and ends in temporary normalcy. Above the episode, we have stories. A story begins and ends in permanent normalcy. To understand the segmentation of incidents here, and particularly its emotional nature, it is helpful to establish the context for Stiva’s meeting with his wife. One important aspect of emotional response is that our experience of emotion does not operate on an absolute scale. It is in part a function of the gradient of change from one moment to the next.

However, even in the short term, that would not prove much of a solution. Where would he go? He could not simply remove himself to another part of the house, since Dolly could follow. If he left the house, where would he spend the night? I do not believe that this is a matter of long-term calculations, as the preceding questions might suggest. The exclusion of flight as a possible response is much the same as would occur in cases of physical threat when all escape routes pose dangers (the predator could catch me if I go right, but there is a battlefield with landmines to left).

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Affective Narratology. The Emotional Structure of Stories by Patrick Colm Hogan


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