Bill Greenwell, Linda Anderson, Derek Neale's A Creative Writing Handbook: Developing Dramatic Technique, PDF

By Bill Greenwell, Linda Anderson, Derek Neale

An inspiring diversity of methods to counterpoint your writing abilities. full of stimulating writing routines, various charges and over 30 extracts from literature throughout a large choice of genres, the e-book should be as an entire direction or dipped into all through. Accessibly written by means of 3 released writers and skilled lecturers from top inventive writing associations, this can be a wealthy sourcebook of innovations containing: demanding writing workouts to extend the writer's strategy and 'voice'innovative methods of constructing fiction and poetry stylesin-depth introductions to degree, radio and movie writinginsights into the way in which assorted genres have interaction and the way to conform tales for performanceadvice on format presentation of work"What is beguiling concerning the writing is the fashion - those should not educational propositions: they're translations from adventure and perform" David Morley, Professor in artistic Writing, Warwick collage

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Additional resources for A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and Voice

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Churchill, Caryl (1988) Interview, Omnibus, BBC1, November. Coe, Jonathan (1997) The House of Sleep, London: Viking. Duffy, Carol Ann (1990) The Other Country, London: Anvil. H. (1999 [1923]) Birds, Beasts and Flowers, Harmondsworth: Penguin. 26 2 CONFLICT AND CONTRAST Further reading Raban, Jonathan (1968) The Technique of Modern Fiction, London: Edward Arnold. Long before his first published fiction and life writing, Raban discussed the close relationship of the two genres. This is a good general introduction.

There are only two characters, father and son, and it is the father who has fallen on hard times. At the start of the story we are encouraged to feel sympathy for the son. We collude with him, because he is presented to us as decent and trustworthy. And because we see from the son’s point of view, we are misled into feeling the son’s sympathy for the father, who is even compared to the genial figure of a ‘snowman’. It comes as a surprise, therefore, when we see that there are two sides to the father.

311). In what way has Wood transformed the material to make it more dramatic? What has Wood selected, and what has she left out? You will find that you need to remove a great deal of extraneous material from any source you use. As you cut, you will sharpen the focus. Condensing material is essential to the process of adaptation. 35 A CREATIVE WRITING HANDBOOK You will be looking more closely at the process of dramatic adaptation in Part 2. Changing styles You can learn a great deal about the process of drafting by adjusting the style of a piece of writing.

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A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and Voice by Bill Greenwell, Linda Anderson, Derek Neale

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